Walking to the Light is a collection of 12 animated sculptures based around movement of form and colour - a kinetic interplay of the viewer, shapes and light. The themes are ultimately derived from nature – the ripples on a pond, light projecting through leaves; shadows. These elements are abstracted into essential kinetic forms that allow the viewer, as in nature, to play the essential roll determining what is seen as an act of purpose, not passive incidental exposure. The images are produced by a combination of print and cast optical structures.

Limited edition of 12

Available for purchase

Robert Delaunay, from Light, 1912
The eye is the most refined of our senses, the one which communicates most directly with our mind, our consciousness. The idea of the vital movement of the world and its movement is simultaneity. Our understanding is correlative to our perception. Let us attempt to see. Art in Nature is rhythmic and hates constraint. If Art relates itself to an Object, it becomes descriptive, divisionist, literary. It demeans itself by imperfect means of expression, it condemns itself, it is its own negation, it does not avoid an Art of imitation. If all the same it represents the visual relations of objects or the objects between them without light playing the organizing role of the representation, it is conventional. It never reaches plastic purity. It is an infirmity; it is the negation of life and the sublimity of the art of painting.